There’s been so much activity lately re the book and the show, I’m breathless. Let’s see, first the cover for Under the Poppy has been seen, tweaked, and approved – and it is gorgeous: subtle and inviting, with a naughty little puppet-y pop. Say what one will about judging a book by its cover, it’s a fact that we all do, and why shouldn’t we? The cover is the public face of the story, the thing that lures the eye and then the selecting hand (via shelf or mouse), so it had better be stunning, not just a pretty picture but an image that tells the story’s story in the time it takes to blink your eye. And this one does, and I am thrilled. As soon as I can share it here, up it goes.
Next, or really concurrently, maestro Joe Stacey has sent several more compositions, underpinning themes for the films, that exist so organically that they’re less complement to the action than its true voice.
And Monika has been sketching up a storm, and we’ve just been treated to the first pass of the costumes: they are masterful, a gritty, sexy, glorious mash-up of periods and textures, an encapsulation of the artfully ragged world of the brothel. Watching things come to life in this fashion (pun not intended, but let’s keep it anyway) is like observing an exotic flower unfurling in slow motion: transfixing, exhilarating.
The voice, the dress, the face … the Poppy is in bloom.

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