How I’d love to see this — “Frankenstein (Mortal Toys),” a mix of puppets, film, and shadow puppets, combined with Mary Shelley’s heartbreak meditation on what makes a (human) being come alive. Is there something mythic/archetypal, I wonder, that speaks especially to the use of puppets as actors and characters, or do they bear that in themselves?
It reminds me of the ways we use fairy tales: think of Angela Carter’s amazing, dark, erotic stories – especially The Bloody Chamber. I’ve written some reimagined fairy tales, for younger readers and for adults, and have found it a freeing template. You can say a lot when you use the voice of dream.

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