12
Jan

Automata and (im)mortal toys

   Posted by: Kathe   in Performance, Puppet art

How I’d love to see this — “Frankenstein (Mortal Toys),” a mix of puppets, film, and shadow puppets, combined with Mary Shelley’s heartbreak meditation on what makes a (human) being come alive. Is there something mythic/archetypal, I wonder, that speaks especially to the use of puppets as actors and characters, or do they bear that in themselves?

It reminds me of the ways we use fairy tales: think of Angela Carter’s amazing, dark, erotic stories – especially The Bloody Chamber. I’ve written some reimagined fairy tales, for younger readers and for adults, and have found it a freeing template. You can say a lot when you use the voice of dream.

This entry was posted on Saturday, January 12th, 2008 at 2:21 pm and is filed under Performance, Puppet art. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

2 comments so far

 1 

Thanks for pointing me to this site. Also, if you find out anything about ventriloquism or the dummies/figures that ventriloquists use, I’d be interested in the most helpful sources for such information. Paul Di Filippo and I did a pair of mysteries novels a few years back about a young man, the son of a second-rate ventriloquist, who also has this skill and who uses it in investigative work, but my original idea involving this subject matter centered on an event/image in WWII that I don’t want to reveal here, but that I keep putting off writing because I don’t think I’ve researched either the war or the ventriloquist-dummy element thoroughly enough to frame the story itself persuasively. In any case, I think your interest in dolls, masks, and maybe even automata touches on some of the matters that I’m interested in. And, of course, I’ve always (or long) been interested in Mary Shelley’s Frankenstein mythos.

January 14th, 2008 at 3:59 am
 2 

Mary Shelley knew that, the closer the template to the human, the more aching the distance, and the more startling the dissonance. The puppet partakes of both these qualities. And the talking puppet..!

January 14th, 2008 at 2:50 pm

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