So heartening, to see performances like this – this kind of fecund, skewed, delightful conversation between disciplines – in a time where, on the surface, all is stasis, contraction, a cultural hunkering-down.  Um, no.  Let’s blow the doors off, artists, let’s climb out the holes in the roof and look around, let’s test ourselves, let’s have some fucking fun.

Being a Detroiter is a real asset in this endeavor, or so it seems to this native, at least.  We are experienced at making much out of little, we see the gleam in rust, we can operate in the dark, we know our way around.  And we can, do, and will continue to make our own fun, out of ephemera, concertina wire, velvet rags, and strings of all kinds.

(OK, this has been the Manifesto Moment of the day.  Back to the script-writing …)

busy as a

This entry was posted on Thursday, November 12th, 2009 at 2:12 pm and is filed under Performance, Puppet art. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

One comment

Clive Hicks-Jenkins
 1 

Woodcut from the workshop of Thomas Bewick, whose wonderful biography Nature’s Engraver by the peerless Jenny Uglow is my current rave. Anyone who has marvelled at Bewick’s masterful woodcut images of birds and animals will be carried away in transports of delight by this fantastic conjuring of his world and life. A must have! (You can get it in paperback.)

November 14th, 2009 at 12:32 am

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